Mastering Patterns: taming the jungle!

Written by Ann Moore-Spencer on January 29th, 2012

Even more daunting than colour is the prospect of layering patterns. Mixing patterns can be tough and is often something that we think should be left to the ‘experts’.

Last year I was fortunate to attend a seminar given by Sarah Richardson, Canadian HGTV designer from Sarah’s House, Design Inc.  and Sarah 101. She is recognized as an absolute expert in mixing and layering pattern.

Ann Moore-Spencer with Sarah Richardson at Inspire 2011

She shared that she easily mixes well over 12 patterns in one room. She obviously has the secret! She is undisputedly a master of the art.

'Sarah's House' master bedroom

 Her classic style is warm, livable and comfortable. Today I seek to give you simple guidelines she shared. Hopefully we would increase your comfort level and increase your success when using patterns.

Keep it simple.  If you are new and uncomfortable with mixing patterns, begin simply. Begin with 3 patterns: 1 large-scale, 1 medium-scale and 1 small-scale pattern.  

Sarah's House Nursery

Often multiple patterns look confusing and cluttered because we use patterns of more or less the same scale. Choose from prints (florals, pictorials, toiles, etc), geometrics and abstracts, plaids, and stripes. You can have a mixture of the different type of patterns, but limit yourself to 3 patterns to begin with.

 Coupled with solid colours, 3 patterns is more than enough to add depth and interest to any space. When you become more comfortable, try adding more than 1 medium-scaled pattern. Be cautious with the large and small scaled patterns though. They are the ones that cause the most problems by overwhelming the space (large patterns) or causing visual clutter (small patterns).

Edit your colours.  I recommend that you choose one of the patterns as being the primary pattern or a starting print and select your colour palette from there. All added patterns must speak directly to, and be extracted from the palette in that primary pattern.

For interest and depth, vary the intensity of the colours, get a great mix of shapes and have some contrast in the colours in the mix. Anchor everything with a neutral colour like white, off-white, taupe, tan, warm grey, etc.  

Essentially Monochromatic

If multiple patterns in multiple colours is too much for you, begin with a multiple-patterned monochromatic scheme.

Recognise that texture is a pattern.  When we speak of patterns in décor, very often we think only of printed fabric. Texture is also a pattern. Sarah’s spaces usually sport a balanced plethora of textures.

So the nubbiness of hemp, the slubs in linen, the sheen of sateen, the roughness of burlap, the swirls in moire, etc all impact visually as pattern.

 

So even our solid colours can have texture and count as pattern – and this is not one of the 3 main patterns we mentioned above. We don’t want only smooth textures in a room.

Pattern is not only in fabric. Other material in your space can be considered. There is pattern in your flooring, countertops, walls, ceiling, rugs, lighting, etc.

Consider it – mosiac backsplashes, sisal or shag rugs, linen drapery, chenille upholstery, silk runners, woven baskets, shiny mirrors, warm woodwork, granite countertops, and more for instance.

Jonathan Adler designs

One of my clients has a beautiful stone wall that can easily be the focal point of her room. Yes, it may be a legacy of a time gone by, but just how we treat with it in the space as a whole will really update it and make the room more interesting. You can also add interest by juxtaposing elements with opposite characteristics.

 I call it the ‘guns and roses’ factor. Velvet and aged wood, crystal chandeliers with brick or stone, for instance. It’s like using aged blue jeans with pearls.

Do not be afraid to edit.  Step back a few feet – go across the room. Are your patterns working well together or are they fighting each other? Remember that in a large space small pattern will read like a texture and in a small space some large patterns can be overwhelming. Use large patterns on large pieces. For instance, upholster a sofa in a large print and bring it to life with a layer of complementary patterned pillows. Is your colour story clear or jumbled? Don’t just rely on your eye. How does the space feel? Feelings of excitement, interesting, organic, comfortable and even complex are all good. But if you feel overwhelmed, or the room feels chaotic, confusing or cluttered. You are not done yet. Continue to edit.

Here are a few more photos

Designed by Eddie Ross for Elle Decor

Fun wing chair

Jaclyn Smith designs

 

Beyond Drapery Limited … for the best dressed rooms

 

Luscious Tangerine Tango

Written by Ann Moore-Spencer on January 14th, 2012

The Pantone Color Institute®, is recognised as the provider of professional colour standards for the design industries worldwide and the global authority on colour. Each year they select one colour they determine best reflects the trend for the fashion, interior design, cosmetics, and other design related industries. They assiduously study anything and everything that has an impact on colour from technology, to entertainment and films, to new artists, to on-trend  travel destinations, to climate and socio-economic conditions to determine a Colour of the Year. Pantone sees the current global economic conditions calling for something bold, something spirited, something energetic to give the world a boost and the charge to surge forward.

On December 8th, 2011 Pantone announced its 2012 Colour of the Year – PANTONE® 17-1463 Tangerine Tango, a vivacious, enticing hue. Leatrice Eiseman, Pantone’s executive director, described it as, “Sophisticated, but at the same time dramatic and seductive, Tangerine Tango is an orange with a lot of depth to it. Reminiscent of the radiant shadings of a sunset, Tangerine Tango marries the vivaciousness and adrenaline rush of red with the friendliness and warmth of yellow, to form a high-visibility, magnetic hue that emanates heat and energy.” The color specialists at Pantone hope the orangey-red hue will give us optimism for 2012. Orange signals vitality, urgency and the strength to thrust forward and break through to better times and better things. It is a colour of hope, courage and of action.

Designer: Samatha Friedman

As colourful Caribbean people we have embraced orange over the last couple years. You see it featured prominently in local fashion lines and we favour all the hues of orange generally in any item of clothing. One of my close relatives visited for the Christmas season, she commented after 2 days that her retinas were burning with all the various shades and hues of orange. I must admit that I did not notice the prominence of the colour until she mentioned it. In our interiors we use from peachy hues to brilliant yellow oranges to deep rust and terracotta to just plain orange. You can find it in interior and exterior wall colour, in floor colour, roofing, rugs, fabric and accessories. In Trinidad, I suspect we will be quite at home with Pantone’s juicy reddish orange and provocative attention getter – Tangerine Tango.

Wall Colour

We can continue to be on-trend and use Pantone’s energetic and vivid Tangerine Tango in our accent wall colour.  Liven up small spaces such as laundry rooms, powder rooms, hallways and entry rooms. Consider an upholstered headboard, ottoman or club chair. Though I know here in Trinidad, we will not be afraid to go brave and use it for more than an accent.

Decorative accents

 For the more faint hearted consider accessories such as throws, pillows, table and bed linen, and wall and table- top art. Personally, I will prefer to use it as a statement rather than the whole story.

Tangerine Tango can be mixed in pattern or use as a solid. This bold colour is at home in most design styles so we are free to incorporate it into any décor.   

Campbell Designs

Tangerine will look great with all neutrals, tiffany blues, blue greens, mint, sage, grassy greens, aqua, marigold, yellow-oranges, pink, fuchsia, , … the list goes on.

Designer: Belle Maison

 Take the time to look around you. Observe the cosmetic industry, look at packaging, fashion, interior accessories and furnishings, paint colours … see if you can spot the vivacious Tangerine Tango. Dare to include her in your life – your space. Here’s wishing you a successful, productive and colourful 2012!

Beyond Drapery Limited … for the best dressed rooms!!

 

All I want for Christmas

Written by Ann Moore-Spencer on December 11th, 2011

It's Christmas

Peace on earth, love, health, strength and family – every year that’s all I have prayed for. But from a decorating perspective, that’s a different story. I have a soft spot for classical, iconic décor pieces. I would be a happy camper if I could acquire one or any of these vintage icons. If all I could find is a perfect replica I would be satisfied.

Arco lamp. Placing a lighting fixture in the centre of the dining room often does not mean it falls in the centre of your dining table. In 1962, inspired by Italian street lights, Achille and Pier Giacomo Castiglioni designed lamp to solve that problem. You can move your dining room table and the light, with its 8 foot reach, can move with you. 

Source: Unknown

With its graceful and high arc, 160lb marble base and unique stainless steel shade, this Italian overhead floor lamp is probably one of the most recognised lamps. What a work of beauty; a perfect marriage of form and function!  While the characteristic arc neck and marble base is unique, I also love the shade. The shade can cast a distinctive pattern of a cluster of circles on the ceiling.

Source: Unknown

Many reproductions, and lamps inspired by the original, are available today. This design is quite at home in modern, contemporary and transitional spaces. While designed for the dining room, the arco lamp, is at home in any room of the house and in commercial spaces. The arco lamp has received numerous awards and is part of the permanent design collection of modern art. I would love to have one for my permanent collection.

Noguchi Coffee Table.  Art is not only for the walls. The Noguchi coffee table is an organic and sculptural and yet functional piece.

Source: Unknown

Designed in 1948 by Japenese American Isamu Noguchi from walnut wood and glass, the lines are sexy and timeless: 2 identical pieces of curved sculptured wood, arranged asymmetrically with a softly curved glass top. It’s all about soft curves and motion; understated elegance. 

Source: Unknown

 Again this timeless classic is at home in many décor styles. The Noguchi table is produced by Herman Miller and is one of their most iconic and successful designs. Examples are also part of the Museum of Modern Art Collection.

Eames Lounge Chair and Ottoman. Another Herman Miller classic, the Eames Lounge Chair was designed by Charles and Ray Eames from molded plywood and leather. I find this 1956 classic to be strong and masculine and another great example of timeless excellence in design. The chair has a low seat which is permanently reclined.

Source: Unknown

  Examples of these are part of the permanent collection of the Museum of Modern Art and Art Institute of Chicago. The chair and ottoman was first created as a birthday gift for the Academy Award-winning film director Billy Wilder. It was first seen on the early version of the Today Show, the Arlene Francis Show.  I have also spotted the chair on the set of Frasier, House, Castle and Ironman and on the cover of Truth be told (Larry King’s autobiography). This wish list item is mostly for the benefit of my husband, and it will fit in nicely with my décor.

Do you think Santa will smile on me? I can only dream.

Beyond Drapery Limited … for the best dressed rooms!  

 

The A to Z of Decorating

Written by Ann Moore-Spencer on December 4th, 2011

A for Accessorising. Consider grouping similar items together as a collection. When displaying your book collection, include other types of accessories on the shelves to add some interest and variety. In general, group together items in odd numbers, in differing heights and sizes.

B for Bed linen. Your bed is the focal point of most bedrooms. For a well-dressed bed, colour coordinate and layer your bed linen. Soft and luxurious bed sheets are your foundation. Add a bed skirt, comforter or coverlet, decorative pillow shams, throw pillows, and a throw or scaldino at the foot of the bed.

C for Colour.  The single most impactful element in a room is colour.  Ensure you love shades and intensity of the colours you have selected. You will have to live with it for a while. Do not forget the 60-30-10 rule: the main colour should take up about 60% of the space, secondary colour about 30% and the accent or tertiary colour about 10%. Vary texture, shades and tints in a monochromatic colour scheme.

D for Doors. Add moulding details to your plain doors for architectural interest. Paint your doors in an accent or contrasting colour or give your door a rich stain. Please do not highlight the door if you would prefer that they are not noticed.

by designer Ashley Whittaker

E for Entry.  A mirror is a nice decorative touch for checking your appearance before you leave the house. The mirror will also help to make the space seem larger. Add a side chair and a shelf or console table for keys and handbags and some baskets or trays for the mail. This is a good location for a plant or statement sculpture. Remember that the entrance begins outside the door: the steps, porch and the door all contribute to the welcome experience.

F for Focal point. The focal point of your room has the leading role. Every room will feel much more inviting and interesting if you arrange the furniture or accessories around a focal point.  Use accessories to play up your room’s best features. Further highlight your focal point by strategically placing your best pieces to support the focal point.

G for Green. Let us be environmentally friendly and aim for green and sustainable interior decorating. Use environmentally friendly paints, and renewable resources such as bamboo flooring, recycle, repurpose and up-cycle old accessories, furniture and flooring. Use lined drapery to reduce air conditioning costs. Use counter tops, tiles, flooring, fabrics, etc made from recyclable materials. Prefer energy efficient appliances and lighting.

H for Hardware. What an easy way to elevate the decorative equity of a new or old piece. Paint out or replace dated and old hardware. Consider newer finishes such as oil rubbed bronze, antique copper, pewter and brushed steel … and I am told that brass is on its way back.

I for Inexpensive. Expensive does not mean better. Just make conscious and wise choices; reduce impulsive purchases and stick to a plan. Remember, even though the more expensive accessory may look way more attractive in the store, the cheaper one that has the same colours, size and shape and will match your décor just as well. Add trim or borders to ready-made throw pillows, bed linen and curtains and use colour to your advantage. Use expensive tiles as inlays and borders.

J for Junk. Do not let junk accumulate. Clutter is never attractive and compromises the functionality of the space. Remove old newspapers, organise magazines, toss broken accessories and if it does not match recover, repaint or remove.

K for Kitchen. Your lifestyle, the number, height and size of the people using the kitchen, whether any of the cooks is left-handed, whether you entertain in the kitchen, if you use the kitchen for other activities (e.g. laundry), for instance, will determine the optimal kitchen design. Plan your storage around what you use and how you use them. Place frequently used items in easy reach; within 22 – 72 inches above the floor.

L for Lighting. Layers of light says this is a consciously decorated space. Lighting brings the room to life. Combine ambient, accent and task lighting in the space. Put dimmers on all switches. Here’s a tip – Multiply the area of your room by 1.5 for the wattage need to adequately light a room.

M for Measure. Measure your room. Measure your furnishings. Measure your accessories. Measure your patterns. Always measure to ensure you have the right scale and proportion for your space and simply to ensure it will fit!

N for Nailheads. Use them on upholstered chairs, cornices and leather covered desks. Nailheads can be very suited for a masculine space. Also look for crystal nailheads. These add a bit of bling and can be fun, youthful and feminine.

O for Outdoor rooms. Our tropical climate makes our outdoor spaces most suitable for extending our gardens into our living rooms and our living rooms into the outdoors. Decorate your exterior spaces using the same principles as for your indoors. For comfortable, 24-hour year-round pleasure, provide shading or a ceiling. Natural vegetation can provide a very effective canopy and awnings, umbrellas and shade sails can also be used.

 P for Plants. Floral centrepieces are naturally beautiful and work in any style of space. Plants and flowers with clean, long lines look great in modern and contemporary spaces. Traditional spaces can handle frilly foliage and flowers. Whatever your style, flowers and plants are the perfect way to add beauty and warmth, and create a space that reflects your personality. Choice fabric, wall paper and rugs with abstract or actual botanical prints.

Q for Quality. Choose the best quality furniture, accessories and materials you can afford. Quality shows, quality speaks and quality lasts. Remember expensive is not equal to quality and inexpensive does not always mean cheap.

R for Rearrange. Look at the layout of your furniture. Does it allow for easy traffic flow? Is there a table top in reach of all seating for your guests to rest their drinks? Can everyone see the TV? In seating groupings allow about 2 feet between chairs and sofas. Avoid lining up furniture against the wall. As a rule-of-thumb, the largest piece of furniture should be placed on the longest wall. There should be a clear path of at least 4’ from the front door. Increase the functionality of your space by rearranging your furniture.  

S for Sofa. The sofa is often the largest single piece of furniture in your living room. The colour and style of your sofa will influence the decorating style, look and feel of your space. Select the best quality sofa that you can afford. Use a small sofa in a small room and a large sofa in a large room.  Sofas are generally 79 -84 inches long and loveseats are between 60 – 78 inches long. Your sofa should be no more than 2/3 to ¾ the length of the wall it is in front of. Otherwise it will look too large for the room.

T for Textiles. Nothing softens a space as textiles. Pay attention to the variety of the look and feel of the textiles in your rug, your wall art, your sofa, your pillows and soft furnishings and in your window treatments. Textiles offer an easy way to add style and warmth through a rich mixture of texture, colour and pattern.

U for Upholstery. Most homes will have at least one upholstered piece. This is usually your living room sofa. But there are other options available. There is the ottoman. This versatile piece of furniture is often part of a living room suite, but can be used with a tray as a table. In the bedroom an upholstered headboard is quite in place in both a traditional or contemporary room. An upholstered piece adds softness and comfort to any space. Buy the best quality you can afford.

V for Valances. Drapery panels are currently all the rage. Valances and top treatments have, however, not lost favour. The lines and styles are a bit simpler. You have the opportunity to make your statement with style, pattern and quality fabric. For a tailored look, try a box-pleated or flat valance. For a formal look, try swags and cascades.

W for Wall coverings. The colour and texture of your wall makes an impactful statement in any room. Consider options other than paint. Wall paper is gaining favour here in Trinidad as an option for a decorative wall covering. Very modern and contemporary options are available. Wallpaper borders and decals can also be used effectively in children’s rooms. Give wallpaper some consideration.

X for eXotic animal print. This trend is not for everyone. But a little animal print goes a long way. If you are daring, try a club chair or rug. If you a little timid a pillow or throw is a nice touch. Look for the tigers, leopards, cheetahs, cobras, and zebras. Pay attention to scale, proportion and colour. You do not want it to look garish.

Y for Yes you can!  You can convert your space into a well-dressed one. Be inspired by your favourite decorating TV show, by your favourite TV decorator. Peruse the magazines, the internet, local furnishing and accessories stores. Enlist the help of experts: your painters, carpenters, masons, the tile guy, upholsterers, colour consultants, decorators and window treatment specialists.

Z for Zen. Less is more. Even though you are not drawn to a totally sparse look, remove clutter and free up your space. Decorate with the 5 elements of nature: water, earth, fire, wood and metal. Most of all…do not use plastic! Use earthy colours such as sky blue, sea green, deep green, white, tan, stone grey, etc. Use natural light.

Beyond Drapery Limited … for the best dressed rooms

 

Wow! Window Wisdom, Part 2

Written by Ann Moore-Spencer on November 30th, 2011

As a window treatment specialist it hurts to see how we discount our décor by neglecting to realise the potential decorative equity in our windows. Following on from my previous blogpost, here are some additional tips for Wow! Windows.

Drapery headings.  You can choose between gathered, pleated or flat headings. In Trinbago the gathered heading is the favoured by the home sewers and  for readymade drapery it is often the cheapest option. The favourite version of the gathered heading is the rod pocket or slotted heading. It is easy to make and install. Your drapery pole is inserted into the pocket and the pole is hung over the window. Gathered headings can also be achieved with gathered drapery tape. You would need drapery pins to hang these. If you want windows that are more than pedestrian, I suggest that you do something other than a gathered heading.  Also popular are flat headings such as grommet and tab curtains.  There is grommet tape available for the home sewer. But professionally made grommet headings are done using a professional grommet press. Homemade pleated drapery can also be made with drapery tapes. Popular pleated styles are the pinch or French pleat, box pleats and goblet pleats. A better quality, professionally made pleated panel is not fabricated with drapery tape and yeilds a more polished product.

Pleated drapery panels

Dressing.  Improper dressing is the downfall of many a window treatment. We have potentially fabulous treatments and just hang them up!! Oh what a travesty! The cardinal sin! For gathered headings, ensure that the gathers are evenly spaced.  The heading looks neater and your curtains hang better. This is easy to achieve with the gathered tapes, but with rod pocket curtains you will have to dress them.

Flat headings also need to be dressed. Don’t just hang them on the rod. For tab and grommet curtains, push your spaces toward the back. Flat curtains are meant to be less full than the gathered and pleated styles. Do not buy multiple panels and jam them on the rod because you want privacy or darkness in the room! If that is the case, line your panels or use multiple layers.

If your pleated panels hang from rings on a decorative pole rod, dress the spaces between the pleats toward the back. If they hang from a traverse rod, dress the spaces forward.

For valances and top treatments, evenly space your gathers. Pleats are tailored and already dressed. For swags, jabots and cascades ensure that your swags are ‘smiling’ smoothly and your folds are smooth. For all treatments, steam out all wrinkles and creases.

Decorative Metal Drapery Pole Rods

Hardware. Get proper hardware! Your hardware is critical to how your treatment hangs and looks. The ¾ “conduit or PVC or the stretchy coiled stuff bought by the yard does not count! Just as important as the rod is the bracket. How does your rod stay on the wall? I see cup hooks at the end with string holding up the middle! No, no, no. Never leave the ends of your pole exposed. That is like showing your underwear. Cover them with finials, end caps or rosettes. Flat panels need decorative hardware. Your rod is in plain sight. Pleated panels can be installed on decorative pole rods and rings or under valances on ‘white goods’ such as traverse rods.

Layering. Currently on the international stage, drapery panels without valances and swags are favoured. We even see this trend here. Tab top curtains and grommet panels are very popular. While we may omit the valance we want the head of the treatment to look decorative and for that added Wow we should consider other ways to layer.  Popular options are to use sheer, roman shades, blinds and shutters under the panels. In this case, panels can be stationary or functional. Flags or swags can be hung directly on the panel. Panels can be layered, one in front of the other. While valances are out of favour for some, cornices with their cleaner lines are gaining popularity. Others still use valances and swags with simpler lines. Layers give the perception of lavishness and luxury: the Wow factor.

Beaded Trim Embellishment

Embellishments. Put some extra pizazz on your window treatment. Fringes and braids of all different styles and budgets are available today. Even if you purchase ready-mades you can further embellish them with purchased trim.

Embellished Drapery Panel

For the more custom and professionally fabricated treatments couture details such as banding, pleating, rouching, tucks, smocking, specially pleated headings, etc are options that elevate the window treatment to a Wow level. With custom made treatments you have the option to use details that are unique, distinctive and exclusive.

Beyond Drapery Limited … for the best dressed rooms

 

Wow! Window Wisdom, Part 1

Written by Ann Moore-Spencer on November 23rd, 2011

A major portion of the Trinbago homemakers’ holiday budget is reserved for the ‘curtains’. If the treatments aren’t new, we would bring out the set that we keep for special holidays. Our home is not well dressed without the mandatory new drapes. I see, however, that year in year out, many spend a fortune and make the same mistakes. They compromise the decorative impact of their window treatments by sabotaging them with simple design mistakes and poor proportion. Let me share some wisdom for wow! windows.

Quality measurement is the foundation of great design. When measuring your window do not use your dress makers measuring tape, ruler or yardstick. Use a steel tape. Measure everything! Do not make any assumptions. 2 windows that look the same and actually should have the same dimensions more than likely have different measurements. At the very minimum you should measure the following:

Measuring your window

A -      outside width of the window including the frames or mouldings (if your window has frames)

B -       width of the window itself (excluding the frame or mouldings). This necessary for inside mounted horizontal blinds, roller blinds, roman shades, café curtains, etc.

C -       On both sides of the window, measure the distance between the window and the closest obstacle. If there is no obstacle measure to the adjacent wall. This determines the maximum space available for extending your window treatment on to the wall.

D -      top-of-frame to bottom-of-frame length of the window. If doing inside mount treatments measure the actual window length also.

E –       Top-of-frame (or top of window, if no moulding) to the floor

F –       Top-of-frame (or top of window, if no moulding) to the crown moulding (or ceiling, if no moulding)

 If you have a rod installed, measure the height and the bracket-to-bracket measurement of the rod.

Rod placement is critical. Do not install your rod just above the window. This, very often, does not result in pleasing proportions. You should not see the back of your drapery heading in the window.

The window seems crowded and your treatment is not given the space to make a statement or just to balance with the rest of the other elements in the room. This only looks good until you see the impact of better rod placement.

For better decorative impact, the top of your drapery should be at least 4 to 6 inches above the window. If using pleated drapery, your rod should be at least 1/3 wider than the window opening. For a 48 inch wide window your rod should be about 62 – 65 inches wide. For rod pocket curtains your rod should be no less than 8 – 10 inches wider than the window. That is 4 – 5 inches wider on each side. Personally, I use the 1/3 wider default for all styles of drapery.

Examine your proportions. If using a top treatment such as a valance or swags you must be mindful of your proportions. The biggest mistake we make with our top treatment is to make it too long. If you combine that with the error of installing it too low you have a window that looks like the Hunchback of Notre Dame: short and top heavy!!

Sometime we err on the other extreme and have short valances that are mounted too high. This leaves the window frame or top of the window exposed. A general rule-of-thumb to remember is that your valance or swags should be one-fifth to one-sixth the height of the total window treatment. If from the top of your valance to the floor is 90 inches, your valance should be 18 inches long. Again try to mount your treatment as high on the wall as you can.

Those were 3 simple rules to guarantee better presentation at your windows. Of course, you do have creative license to break these rules. But, know your measurements so that you can increase the decorative equity of the space your window treatment occupies. By just changing the width and height of your treatment you can change an ugly duckling to a beauty.

Beyond Drapery Limited… for the best dressed rooms!

 

Using neutrals successfully

Written by Ann Moore-Spencer on November 8th, 2011

Many of us default to cream and beige as a colour scheme because we find it ‘safe’. Following colour trends can be costly if we have to change every time trends shift. We see neutral colour schemes as versatile and we consider it a ‘no brainer’ to change out accessories to get different look. Instead we frequently end up with bland boring interiors that lack character and interest. We may not have a mismatch of colours, but pervasive cream, beige and vanilla does not delight our senses. A neutral palette does not have to be boring, however. You can create quite a lot of drama and interest in a neutral space. Here are some tips to help you.

A neutral colour scheme is a great back drop for fun, colourful and unique accessories. It provides a blank canvas for the expression of individual style, and bold statements. Even though your walls and major furniture pieces are neutral, serious colour can be introduced with your rug, tabletop and wall accessories such as vases and paintings. Let your imagination run wild and do not be afraid to experiment with the less costly items. Just remember my mantra – go big and bold. No itsy, bitsy pieces that you have to squint to see.

Likewise, you can be very adventurous with the window treatments. You can choose to make your draperies transition out of the supporting role in your décor and be the star of the space. Use daring and unique styles and do not be afraid of pattern and colour. If you have an all beige space please, I beg, do not wimp out and be pedestrian or safe at your windows.

Bring together a rich variety of different textures and finishes in the space. Some smooth, some sparkle, some rough, some nubby, crackled, wrinkled, shiny, pearlized, metallic, and so on. Try some pattern. Yes you can have pattern in a neutral palette. Mix patterns of different sizes. Vary shades, tints and tones of the colours chosen. These are just a few tricks to add movement, and to create excitement and interest.

Varying Textures

Your camera should be your best friend. Take black and white photographs of your space. Your entire colour scheme will be translated to grayscale. You should have a healthy balance of white, light grey to black. A scheme with few grades of grey and plenty black and white contrast can look choppy and disconnected. On the other hand, if you have too much of the same shade of grey, your space will look flat and bland. This trick actually works regardless of the colours being used.

Using neutrals is actually not dated. It is quite on-trend. The key is actually what neutrals you use. We are accustomed to the beiges, creams, almond, vanilla and the million and one shades of white. But consider the various shades of grey. Yes grey. Grey is a ‘nature’ colour. It is found in the sky on a rainy day; the stones of the river bed.  Grey actually works well with many other colours and can be the backdrop for casual, formal, sophisticated, elegant or edgy decors. It is very versatile. Over the past two or so years I have seen grey in all its versions become the neutral of choice. Just check out the decorating and design magazines. Some versions are close to white all the way to smokey grey to almost black. Also look for greyed hues such as purples, blues and greens. They can be coupled with grey for an elegant and sophisticated palette.

Look to nature for inspiration

Look to nature for inspiration

Earthier colours mimicking sand, aged wood, earth, clay, for instance are also new neutral alternatives, so to speak. Actually brown in all its forms is also a neutral décor colour. Straw, caramel, clay, mocha to rich deep chocolate are colours that are just as ‘safe’ and we often fail to give them consideration. Browns tend to stabilise and anchor a space and can be successfully coupled with the lighter and more used versions of sand, cream, etc. In fact, any muted and subdued colour used predominantly can be used as a neutral. Try light tones of sage green, heather or greyed purples, for instance.

Black and white is a neutral classic colour harmony made popular by the Europeans. It is a more exciting neutral combination with the potential for loads of rhythm in the space. This combination is definitely not as calming and relaxing as other neutral combinations can be. It is sometimes tricky to use this combination successfully. The proportions of black to white must be well balanced and relative placement is often also a consideration. Shades of grey can be added to the décor to make the colours seem less choppy in the space. If you use grey cleverly, it will still read black and white to the eye and the space will feel more soothing. The Americans have updated this look by adding pops and splashes of colour such as citrusy orange or green, or turquoise or red. Such a colour scheme is not for the faint at heart.

Be mindful that all neutrals have an undertone of some other colour. Some undertones are warm and some are cool. It is these undertones that make a seeming safe combination of off-white look so wrong. Off-white can have undertones of any colour – grey, yellow, pink, blue, green, etc. If so, depending on the undertone, combinations of off-white can look discordant. Your neutral can actually change its appearance when placed close to different colours. There some new rather complex neutrals that defy description. Their split personality and subtle multidimensional traits bring interest and intrigue into the décor. Think of a ‘pinky purpley beige’ or a kind of ‘sagey purpley brown’. Once you cannot nail down exactly what the colour is, that’s a complex neutral. They can be intriguing to work with and can immediately add subtle dimension to your space. But, that characteristic can make them difficult to work with successfully.

If you choose neutral colours because they are ‘safe’ use that safety to have some fun and be creative. Neutral does not have to be boring!

Beyond Drapery … for the best dressed rooms

 

Think like a decorator

Written by Ann Moore-Spencer on September 7th, 2011

HGTV and design shows, design books and magazines make us all think we can decorate and make us all think we should have nicely decorated spaces. It all seems so easy on TV. But when we are faced with our own space the decisions do not seem to be so simple. Too many choices and we begin to second guess and be uncertain about the options. We get overwhelmed. How do the decorators and designers do it?

Focus and plan. Be clear on the discrete space you are going to treat with and with what you want to achieve. Disregard all else. Yes. What is happening in adjacent areas can impact on your space. But make a decision as to whether adjacent spaces should be included or considered and how they can affect outcomes. Then focus; establish the boundaries and scope of the project. If you do not want a disjointed outcome, pay close attention to this step. Exercise constraint.

Budget. It is very seldom that a decorator is given a limitless budget. This is a constraint that we very often don’t give ourselves. Even if we set one, something beautiful or must-have will cause that boundary to shift. We tend to be distracted by possibilities, what ifs, the ‘are’nt they just beautiful’ and the ‘I want a … just like’ diversions. Your budget will determine the choices you make. Let your purchases fit into your budget and not your budget stretch to meet your desires. Some items can be re-used, repurposed or renovated so that the project stays within budget. Practice restraint.

Inspiration file. Create and maintain an inspiration file. Capture anything and everything ‘design’ that tickles your fancy that can be related to the project. You will see definite themes emerging. This file can be a powerful tool when trying to communicate your ideas to your family and tradesmen such as your joiner or window treatment specialist. Take photos, clip magazines and catalogues and download ideas from the internet. Remember Candice Olson? Every designer has an arsenal of catalogues, samples and inspirational ideas that they reference and pull from when designing a space. Take photos of your space and place your inspirational options next to and on the photos. When purchasing and selecting items for the room, continuously reference your inspiration file.

Emotion. Don’t disregard how you will like to feel in the room and what impression you will like the other occupants and guests to have. Good decorators try to determine the emotional and experiential value of the space. It’s not just 4 walls. You live in the room. How you want to feel and regard the space is critical. How well the room functions or should function is important and will influence how you feel about the finished space. Consider how you currently use the room. What is working, what is not, how you will like it to work? It is not just the room; it is the experience of the room. It is not just the lamp; it is the emotion about the lamp. Don’t use it if you hate it. Even though it falls within the budget you can afford. Keep looking.

Whole room. Take a whole room perspective. Not just a beautiful rug for the floor, paint for the walls, drapery for the windows or accessories for the table tops. Look at the entire room and how everything works together. Many beautiful things do not a beautiful room make. A room can have tons of beautiful things and still look ugly or undecorated. A decorator looks at the entire space. What is on the walls should relate to the rest of the room. Not just in colour; but in shape and size. Don’t forget the 5th wall; the floor. Your flooring material and colour should integrate with the décor. Also remember the 6th wall; the ceiling. Stark white is not the best colour for all decors.

Take risks. Successful decorators are creative and come up with unexpected solutions. That’s often what makes the space seem decorated. So no matchy furniture sets. Reject the perfectly symmetrical layouts. Remember opposites attract. Feel safer with cream and beige? Check the paint strip and try the same colour a few values deeper.

The most difficult thing about decorating a room is figuring out where to start. Follow these tips and you will create a more cohesive decorated space.

Beyond Drapery Limited … for the best dressed rooms

 

Choosing Exterior paint colour

Written by Ann Moore-Spencer on September 4th, 2011

Recently I had cause to visit one of the paint centres close to me. The store manager and I got in a conversation about exterior paint colour choices for a specific situation. I don’t do much specification for exterior colour. But with discussing the problem at hand it became clear to me that fundamentally the issues are quite similar to those in the interior of a home or any other building. The curb appeal of your home depends largely on the impact that your paint colour choices make.

Be inspired. Do you want your home to look stately, whimsical, trendy, creative, elegant, predictable, or cute? Scan the magazines, the internet and your neighbourhood for inspiration and to determine what just does not appeal to you. Consider the neighbour’s house colour. Find colours complement and does not clash. Do not duplicate your neighbours’ colours either. That will devalue your choice and negatively impact your neighbours’. You want your house colour to stand out in a discrete, but creative and individualistic manner. That is not to say that it should be boring though.

Consider fixed elements.  Too often I see otherwise attractive colour combinations seem wrong because of the visual discord with the roof colour or other architectural elements such as stonework or vinyl windows, for example. Your paint colour should harmonise with or complement whatever cannot be changed on the structure.

Colour choices.  You would be looking for 2 or 3 colours for your colour scheme. Along with the main colour you would need to select colour for your trim (windows, fascia, etc.) and possibly and accent colour (Doors, shutters, railings, e.g.).  Architectural detailing can be emphasized with contrasting or accent colour. However, do not highlight features that you would rather hide. Gutters, air-conditioning units, quirky architectural features, for example, should never be highlighted.

Dark and intense colours will show fade more readily than lighter colours. This will make it more difficult to touch up because the new paint will be considerably more saturated than what has been on the wall for a while. Dark colours also absorb and hold more heat. Some colours that look perfectly stunning on a large home can make a smaller home seem dowdy and unattractive. Dark colours can make a large house seem smaller and lighter colours can make a small home appear larger. High contrast between the colours can also cause a home to seem smaller. A soft contrast or tone on tone sort of colour scheme will make the home seem larger. For a safe low contrast scheme select 2 colours from the same colour strip a few shades apart. Lighter colour on the porch or entrance will make your home appear more welcoming.

Sample the paint.  Paint chart and cards help to give you an idea of the universe of colour and the choices available. Some paint manufacturers actually have brochures that suggest colour combinations. Major paint manufacturers have virtual visualization tools on their websites that allows you to ‘try on’ limitless colour scheme options. These tools can also suggest colours your complementary and accent colours. I suggest you try that first, exploring colour options and colour placement and proportions.  Please note that your computer monitor and printer can distort the actual colour. So before you make the final decision purchase small amounts of your paint options and test them on different sides of the exterior of your home. Paint a large enough area to get a good feel for the colours and how they look together. Live with it for a few days and decide whether you still like it or not.

Beyond Drapery Limited … for the best dressed rooms

 

The Sensusous Bathroom Experience

Written by Ann Moore-Spencer on August 14th, 2011

Donna Fresne design

 A bathroom makeover does not have to cost you an arm and a leg. For many of us decorating the bath equals to new shower curtains and bath mats and probably a coat of paint. Here are a few simple ideas to elevate the little room big time.

Feast the eyes.  Sight is the main sense at play in decorating. Yeah … and do the usual – paint in soothing colour palette, get new mats and shower curtains. But create a space that says updated, sophisticated and décor-licious. 

Kate Byer design

Give your bathroom a thorough cleaning from top to bottom. Descale and de-grime; make the room sparkle. Lighten up the countertops and cabinets and toss out all accumulated junk. Contain countertop chaos with colour coordinated baskets. Remove mis-matched soaps and shampoo bottles with stylish, professional dispensers – both on the countertop and in the bath and shower stall. Switch out cabinet knobs for updated handles. You will be surprised the difference that will make! If the budget allows update your faucets. Remove the medicine cabinet from over the sink. Install a large mirror with a gorgeous frame that is compatible with your preferred style. Do not neglect lighting. For softer, relaxing ambiance, put dimmers on the lights. Otherwise great décor will look lack lustre in poor lighting. Towel hooks, hangers and bars can be beautiful accents – wall art. Towels are functional but present opportunity to add style. Creatively display rolled, folded, stacked or hanging towels that coordinate with the décor. Add some depth to the experience with artwork on the walls, potted plants and fresh flowers.

Designed by Jamie Beckwith

Excite the touch. Bathrooms are really intimate spaces. Bathrooms are about the body. Soothing and relaxing spa baths are on-trend. High quality towels, bath salts, body butters, textured rugs, plush robes and slippers, quality hair brushes, body brushes, loafahs, foot spas – all add to the tactile experience. Update your shower head. Try pulsating or rain shower heads or both. Using natural materials is also very organic and sensual. Bamboo blinds, sisal or wicker baskets, fluffy cotton towels and texture and warmth in an otherwise cold, smooth environment. If you have the space, include a comfortable chair: only if you have the space. You do not want to clutter the floor space and introduce the anxiety of congestion. To add to the ultimate bath experience, consciously focus on the tactile scenes.

 Soothing sounds.  Another layer of senses. Remember the piped music in the spa? Imitate with a portable stereo player with spa, classical, or instrumental music and relax. Or try nature sounds – rain, wind, birds. If having long soaking baths are your thing, you may like, viewing your favourite TV programs while you wind down.

 Aromatherapy.  Launder bath linen with crisp linen or light floral scents. Mist bath towels, robes and the room with light scent. Use candles or aroma pots for luxurious ambience and de-stressing scents.  Just be careful not to leave them burning unattended.  Your favourite bath soaps, bath salts and lotions add another layer of scent. Ensure that the bath is well ventilated or use extractor fans to circulate air and extract unwanted odours.

Luxurious sanctuary. Your bath does not have to be a place to merely bathe and run. Convert your bath to a relaxing and well decorated haven. Use your luxurious sanctuary to de-stress and unwind. Incorporate shelves or racks for your magazines or favourite books while you enjoy your new space.

These tips may seem simple and random. But, I guarantee that if you pay particular attention to your senses you will not have to pull out the big bucks. 

MCM Architects

 Beyond Drapery Limited … for the best dressed rooms